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歌曲:《black & white ~黒いサングラスかけた日から~》

black & white ~黒いサングラスかけた日から~ - misono 文本歌词

black & white ~黒いサングラスかけた日から~
The Darkness - Black Shuck
In a town in the east
The parishioners were visited upon
By a curious beast
And his eyes numbered but one and shone like the sun
And a glance beckoned the immediate loss
Of a cherished one
It was the coming of the
(Black Shuck) Black Shuck
(Black Shuck) Black Shuck
(Black Shuck) That dog don't give a fuck
Black Shuck
(Black Shuck) Black Shuck
(Black Shuck) Black Shuck
(Black Shuck) That dog don't give a fuck
Flames licked round the sacred spire
And the congregation's last line of defence
Was engulfed in fire
As the flaming priest stepped into the firing line
On the business end of despair
God, he took his own life
During the coming of the
(Black Shuck) Black Shuck
(Black Shuck) Black Shuck
(Black Shuck) That dog don't give a fuck
Black Shuck
(Black Shuck) Black Shuck
(Black Shuck) Black Shuck
(Black Shuck) That dog don't give a fuck
A nimbus of blue light surrounds a crimson paw
As he takes another fatal swipe
At the Blytheburgh Church Door
(Black Shuck) Black Shuck
(Black Shuck) Black Shuck
(Black Shuck) That dog don't give a fuck
Black Shuck
(Black Shuck) Black Shuck
(Black Shuck) Black Shuck
(Black Shuck) That dog don't give a fuck
(Black Shuck) Black Shuck
(Black Shuck) Black Shuck
(Black Shuck) That dog don't give a fuck
(Black Shuck) Black Shuck
(Black Shuck) Black Shuck
(Black Shuck) That dog don't give a fuck
Woof!
猪鼻插葱http://lrcgeci.com制作 END
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black & white ~黒いサングラスかけた日から~ - misono LRC歌词

[ti:Black Shuck]
[ar:The Darkness]
[al:Permission To Land]
[by:猪鼻插葱http://lrcgeci.com]
[offset:500]
[00:00.00]The Darkness - Black Shuck
[00:39.46]
[00:41.46]In a town in the east
[00:47.38]The parishioners were visited upon
[00:50.46]By a curious beast
[00:54.61]And his eyes numbered but one and shone like the sun
[01:00.45]And a glance beckoned the immediate loss
[01:03.37]Of a cherished one
[01:05.31]It was the coming of the
[01:07.27]
[01:07.72](Black Shuck) Black Shuck
[01:09.18](Black Shuck) Black Shuck
[01:10.71](Black Shuck) That dog don't give a fuck
[01:13.26]Black Shuck
[01:14.02](Black Shuck) Black Shuck
[01:15.75](Black Shuck) Black Shuck
[01:17.33](Black Shuck) That dog don't give a fuck
[01:19.99]
[01:21.02]Flames licked round the sacred spire
[01:26.58]And the congregation's last line of defence
[01:29.76]Was engulfed in fire
[01:33.85]As the flaming priest stepped into the firing line
[01:39.71]On the business end of despair
[01:42.56]God, he took his own life
[01:45.09]During the coming of the
[01:46.58]
[01:46.97](Black Shuck) Black Shuck
[01:48.29](Black Shuck) Black Shuck
[01:50.06](Black Shuck) That dog don't give a fuck
[01:52.29]Black Shuck
[01:53.21](Black Shuck) Black Shuck
[01:54.87](Black Shuck) Black Shuck
[01:56.58](Black Shuck) That dog don't give a fuck
[02:02.91]
[02:06.75]A nimbus of blue light surrounds a crimson paw
[02:13.92]As he takes another fatal swipe
[02:17.44]At the Blytheburgh Church Door
[02:20.19]
[02:33.76](Black Shuck) Black Shuck
[02:35.00](Black Shuck) Black Shuck
[02:37.08](Black Shuck) That dog don't give a fuck
[02:39.13]Black Shuck
[02:39.97](Black Shuck) Black Shuck
[02:41.54](Black Shuck) Black Shuck
[02:43.30](Black Shuck) That dog don't give a fuck
[02:46.31](Black Shuck) Black Shuck
[02:48.12](Black Shuck) Black Shuck
[02:49.80](Black Shuck) That dog don't give a fuck
[02:53.47](Black Shuck) Black Shuck
[02:54.65](Black Shuck) Black Shuck
[02:56.47](Black Shuck) That dog don't give a fuck
[03:11.46]
[03:14.76]Woof!
[03:16.67]
[03:18.54]
[03:19.69]猪鼻插葱http://lrcgeci.com制作 END
LRC歌词网音乐网 http://悦笙音乐网提供

misono 的歌曲

专辑 PermissionToLand 的歌曲

歌曲赏析

《black & white ~黒いサングラスかけた日から~》是misono极具个人风格的一首作品,通过强烈的视觉意象与音乐张力的结合,展现了对自我身份与情感矛盾的深刻探索。

音乐结构分析
歌曲以电子摇滚为基底,合成器音色与失真吉他的碰撞营造出冷冽而充满攻击性的氛围。副歌部分的旋律线条锐利,配合密集的鼓点,形成极具记忆点的听觉冲击。bridge段落突然降调的编排,暗示着歌词中"光明与黑暗"的戏剧性转折。

歌词意象解析
"黑色墨镜"作为核心隐喻,既象征对外界的防御姿态,也暗喻视角的主动选择——通过单色滤镜重新定义现实。歌词中反复出现的色彩对立(黑/白、昼/夜)并非简单的二元对立,而是展现个体在矛盾中寻找平衡点的挣扎,如"染められた真実より 壊れたがらくたがいい"(比起被粉饰的真相 宁愿选择破碎的残骸)体现的反叛美学。

演唱表达特色
misono的声线在脆弱感与爆发力间精准切换,主歌部分采用压抑的气声,到副歌时突然转为撕裂感的嘶吼,这种反差强化了歌曲主题中"伪装与真实"的对抗。特别是尾段即兴的颤音处理,暗示着对既定规则的最终挣脱。

文化语境关联
作品延续了日本流行音乐中常见的"视觉系"美学传统,但将外在的视觉冲击转化为内在的心理描写。2000年代女性摇滚歌手常探讨的"社会凝视"议题在此曲中得到更具象化的表达——墨镜既是保护壳,也是反抗的宣言。

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