歌词分享

歌词分享

当前位置: 首页 > 全部歌词 > 《Ride》歌曲歌词下载

歌曲:《Ride》

Ride - JoeSatriani[乔·塞奇尼] 文本歌词

Ride
『Bon Jovi—Ride Cowboy Ride』
|Bon Jovi Ghost 编辑|
Ride cowboy ride.
Through the back door to heaven.
To the other side.
I wanna know the danger of a kiss.
At midnight.
Ride, cowboy, ride.
Yeah, I learn my lesson.
In the story of the trial.
So I made my confession.
In this cheaper motel.
Like could try me pleasant.
But ain't got the money.
'N ain't got the town.
Ride, cowboy, ride.
Through the back door to heaven to the other side.
I wanna know the danger of a kiss.
At midnight. Ride cowboy ride.
So you want to be a cowboy.
Ride cowboy, ride.
Baby, come on.
Ride, ride, ride.
LRC歌词网音乐网 http://悦笙音乐网提供

Ride - JoeSatriani[乔·塞奇尼] LRC歌词

[00:00.00]『Bon Jovi—Ride Cowboy Ride』
[00:05.17]|Bon Jovi Ghost 编辑|
[00:06.95]Ride cowboy ride.
[00:10.60]Through the back door to heaven.
[00:12.55]To the other side.
[00:14.25]I wanna know the danger of a kiss.
[00:17.88]At midnight.
[00:19.07]Ride, cowboy, ride.
[00:22.61]Yeah, I learn my lesson.
[00:24.91]In the story of the trial.
[00:26.91]So I made my confession.
[00:29.21]In this cheaper motel.
[00:31.17]Like could try me pleasant.
[00:35.29]But ain't got the money.
[00:37.19]'N ain't got the town.
[00:39.68]Ride, cowboy, ride.
[00:43.43]Through the back door to heaven to the other side.
[00:47.53]I wanna know the danger of a kiss.
[00:51.00]At midnight. Ride cowboy ride.
[00:59.25]So you want to be a cowboy.
[01:03.40]Ride cowboy, ride.
[01:11.98]Baby, come on.
[01:17.92]Ride, ride, ride.
LRC歌词网音乐网 http://悦笙音乐网提供

JoeSatriani[乔·塞奇尼] 的歌曲

歌曲赏析

《Ride》是吉他大师乔·塞奇尼(Joe Satriani)的经典器乐作品,收录于1992年专辑《The Extremist》。这首作品展现了塞奇尼标志性的技术性与旋律性的完美平衡,通过电吉他的音色与演奏构建出充满画面感的音乐叙事。

从结构上看,乐曲以渐进式编排展开。前奏部分通过干净清亮的吉他音色铺垫出开阔的空间感,仿佛晨曦中的启程。主旋律段落的推弦技巧和揉弦处理赋予音符强烈的歌唱性,双音程旋律线的交织营造出动态的层次感。中段的节奏转换突然加速,失真音墙与点弦技巧的爆发犹如旅途中的险峻攀爬,而尾声回归主题旋律时加入的颤音琴效果,则暗示着历经风雨后的豁然开朗。

塞奇尼在这首作品中展现了卓越的音色控制力。从水晶般的清音到咆哮的过载音色,通过吉他音量旋钮的实时调节实现无缝过渡。特别值得注意的是他对泛音技巧的运用:人工泛音与自然泛音的交替出现,如同阳光下闪烁的波光,为作品增添了灵动的质感。

作为新古典摇滚的代表作,《Ride》超越了单纯的技术展示,其旋律发展具有完整的叙事逻辑。通过调式的转换(从大调到和声小调再回归)暗示情绪起伏,副歌段落的四度跳进进行则创造出强烈的推进感。这种音乐语言的抽象叙事,让听众能自发联想到驰骋、飞翔等动态意象,完美诠释了器乐摇滚"无词胜有词"的艺术魅力。

上一首:还不是因为爱 - 苏醒-快乐男声下一首:追梦人-华伦
0