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歌曲:《kathryn》

kathryn - Labyrinth[迷宫乐队] 文本歌词

kathryn
歌曲:Before It Goes
演唱:Kathryn Williams&Neill MacColl
悦笙音乐网 marissa 制作
Two of us laughing hard
on a chair
Tomorrow we're strangers
going nowhere
Let's capture this feeling
and drink it down
Before it goes
Doors just opened
without a push
What was our whole world
ran out with the rush
Might be the last time
I hold you tight
Before it goes
Two of us laughing hard
on a chair
I picture you always
with me there
Let's capture this feeling
and hold you hard
Before it goes
Before it goes
Before it goes
LRC歌词网音乐网 http://悦笙音乐网提供

kathryn - Labyrinth[迷宫乐队] LRC歌词

[ti:Before It Goes]
[ar:Kathryn Williams&Neill MacColl]
[al:Two]
[by:marissa]
[01:07.46]歌曲:Before It Goes
[01:10.42]
[01:11.49]演唱:Kathryn Williams&Neill MacColl
[01:14.87]
[01:16.55]悦笙音乐网 marissa 制作
[01:20.48]
[00:00.83]Two of us laughing hard
[00:03.87]on a chair
[00:07.03]Tomorrow we're strangers
[00:10.06]going nowhere
[00:13.55]Let's capture this feeling
[00:16.91]and drink it down
[00:20.36]Before it goes
[00:23.75]
[00:31.17]Doors just opened
[00:33.22]without a push
[00:37.60]What was our whole world
[00:40.16]ran out with the rush
[00:45.08]Might be the last time
[00:47.56]I hold you tight
[00:56.61][00:51.53]Before it goes
[01:00.90]
[01:30.42]Two of us laughing hard
[01:35.41]on a chair
[01:38.17]I picture you always
[01:41.44]with me there
[01:45.12]Let's capture this feeling
[01:48.14]and hold you hard
[01:52.12]Before it goes
[01:55.79]Before it goes
[02:01.74]Before it goes
[02:08.78]
LRC歌词网音乐网 http://悦笙音乐网提供

Labyrinth[迷宫乐队] 的歌曲

专辑 TWO 的歌曲

歌曲赏析

《Kathryn - Labyrinth》是一首充满迷幻色彩与叙事张力的作品,以“迷宫”为隐喻核心,通过音乐构建出层层叠叠的听觉迷宫。以下从三个维度展开赏析:

1. 音乐结构的迷宫性
歌曲采用非线性编曲,前奏以飘忽的合成器音效与不规则的鼓点切入,模拟“迷失方向”的听觉体验。主歌部分旋律线条刻意模糊调性,配合Kathryn略带沙哑的声线,营造出疏离感;副歌突然爆发的电子音墙与骤停的留白形成强烈反差,宛如迷宫中的死路与岔道,强化了“寻找与受困”的矛盾情绪。

2. 歌词的隐喻系统
歌词文本构建了双重迷宫:具象的“砖墙与镜廊”指向物理空间的禁锢,而“你给的规则是倒影的锁”等意象则暗示情感关系的操控性。第二人称叙事使听众被迫代入“被迷宫困住”的角色,桥段中“脚步声在回响/原来是我自己的谎”的顿悟,完成从物理迷宫到心理迷宫的升华。

3. 音色设计的象征表达
贯穿全曲的延迟效果人声像迷宫中无尽回声,而突然插入的工业噪音采样(金属碰撞声、失真电流声)则如同迷宫中的陷阱。特别值得注意的是中段突然转入的8-bit电子音效,以游戏化音色暗示“虚拟迷宫”的当代隐喻,将古典神话中的迷宫意象解构为数字时代的生存困境。

整首作品通过听觉符号的多重编码,将“迷宫”从空间概念拓展为存在状态的隐喻,最终在尾奏渐弱的呼吸声中留下开放式的思考——困住我们的究竟是迷宫,还是对出口的执念?

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