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歌曲:《I GET A KICK OUT OF》

I GET A KICK OUT OF - 费翔 文本歌词

I GET A KICK OUT OF
歌名:I Get A Kick Out Of You
演唱:费翔
专辑名称:百老汇经典辑
词曲:Cole Porter 编:Joseph Thalken
I get no kick from champagne
Mere alcohol doesn't thrill me at all
So tell me why should it be true
That I get a kick out of you
Some get their kicks from cocaine
I'm sure that if I took even one sniff
That would bore me terrifically too
Yet I get a kick out of you
I get a kick every time I see you
Standing there before me
I get a kick though it's clear to me
You obviously don't adore me
I get no kick in a plane
Flying too high with some guy in the sky
Is my idea of nothing to do
But I get a kick out of you
I get no kicks in a plane
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I GET A KICK OUT OF - 费翔 LRC歌词

[ti:I Get A Kick Out Of You]
[ar:费翔]
[al:百老汇经典辑]
[by:LRC歌词网 lrcgeci.com]
[00:01.00]歌名:I Get A Kick Out Of You
[00:03.00]演唱:费翔
[00:05.00]专辑名称:百老汇经典辑
词曲:Cole Porter 编:Joseph Thalken
[00:07.00][01:42.99][02:54.86]
[00:10.06]I get no kick from champagne
[00:15.99]Mere alcohol doesn't thrill me at all
[00:21.15]So tell me why should it be true
[00:27.24]That I get a kick out of you
[00:33.90]Some get their kicks from cocaine
[00:39.84]I'm sure that if I took even one sniff
[00:44.99]That would bore me terrifically too
[00:51.12]Yet I get a kick out of you
[00:57.87][02:09.46]I get a kick every time I see you
[01:04.02][02:15.67]Standing there before me
[01:09.72][02:21.45]I get a kick though it's clear to me
[01:14.96][02:26.64]You obviously don't adore me
[01:21.69]I get no kick in a plane
[01:27.64][02:39.28]Flying too high with some guy in the sky
[01:32.85][02:44.15]Is my idea of nothing to do
[01:38.89][02:50.50]But I get a kick out of you
[02:33.34]I get no kicks in a plane
LRC歌词网 http://悦笙音乐网 提供
LRC歌词网音乐网 http://悦笙音乐网提供

费翔 的歌曲

专辑 百老汇经典辑 的歌曲

歌曲赏析

《I GET A KICK OUT OF-费翔》赏析

这首歌曲以经典爵士风格为基底,费翔的演绎赋予其独特的优雅与慵懒气质。歌曲通过轻快的节奏与摇摆的旋律线条,营造出上世纪黄金年代的复古氛围,同时融入现代流行音乐的细腻处理,形成跨越时空的音乐对话。

歌词以“I get a kick out of you”为核心意象,通过层层递进的比喻(如“flying too high”与“champagne”)展现爱情带来的眩晕感与奢侈体验。费翔的嗓音醇厚而富有张力,在真假声转换间巧妙传递出迷恋与克制的矛盾情绪,尤其副歌部分的即兴变调,凸显了爵士乐的自由精神。

编曲上,钢琴与萨克斯的对话贯穿全曲,铜管乐的间歇点缀强化了戏剧性,而低音提琴的持续律动则奠定了作品的摇摆基因。费翔对歌词重音的创造性处理(如“kick”的爆破式发音)为文本注入新解,使经典标准曲焕发当代生命力。

整体而言,这是一次对传统爵士乐的精致重构,既保留了即兴演奏的艺术精髓,又通过人声的叙事性强化了情感表达,展现出费翔作为跨文化歌者对于不同音乐语汇的驾驭能力。

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