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歌曲:《Ei Condor Pasa》

Ei Condor Pasa - 宗次郎 文本歌词

Ei Condor Pasa
EI condor pasa
Singer:Paul Simon
Editor: Boydzhu,E-mail:neverlie@sohu.com
i'd rather be a sparrow than a snail.
yes,i would.
if i could,i surely would.
i'd rather be a hammer than a nail.
yes,i would.
if i only could,i surely would.
away,i'd rather sail away
like a swan that's here and gone.
a man gets tied up to the ground,
he gives the world its saddest sound,
its saddest sound.
i'd rather be a forest than a street.
yes,i would.
if i could,i surely would.
i'd rather feel the earth beneath my feet.
yes,i would.
if i only could,i surelywould
away,i'd rather sail away
like a swan that's here and gone.
a man gets tied up to the ground,
he gives the world its saddest sound,
its saddest sound.
lalalalalalalalalalalala
lalala
lalala,lalalala
lalalalalalalalalalalala
lalala
lalala,lalalala
lalalalalalalalalalalala
lalala
lalala,lalalala

Ei Condor Pasa - 宗次郎 LRC歌词

[ti:EI condor pasa][ar:Paul Simon]
[00:03.34] EI condor pasa
[00:04.40] Singer:Paul Simon
[00:14.42] Editor: Boydzhu,E-mail:neverlie@sohu.com
[00:15.65]
[00:18.64]i'd rather be a sparrow than a snail.
[00:24.02]yes,i would.
[00:27.81]if i could,i surely would.
[00:33.11]
[00:36.17]i'd rather be a hammer than a nail.
[00:41.57]yes,i would.
[00:44.29]if i only could,i surely would.
[00:50.48]
[00:53.62]away,i'd rather sail away
[00:59.04]like a swan that's here and gone.
[01:05.27]a man gets tied up to the ground,
[01:10.55]he gives the world its saddest sound,
[01:14.90]its saddest sound.
[01:19.40]
[01:26.11]i'd rather be a forest than a street.
[01:31.45]yes,i would.
[01:34.58]if i could,i surely would.
[01:39.36]
[01:40.47]i'd rather feel the earth beneath my feet.
[01:45.51]yes,i would.
[01:48.38]if i only could,i surelywould
[01:54.88]
[01:55.64]away,i'd rather sail away
[02:00.21]like a swan that's here and gone.
[02:06.61]a man gets tied up to the ground,
[02:11.71]he gives the world its saddest sound,
[02:17.99]its saddest sound.
[02:20.29]
[02:55.98][02:41.63][02:27.26]lalalalalalalalalalalala
[03:01.15][02:47.49][02:32.44]lalala
[03:06.25][02:49.82][02:36.78]lalala,lalalala

宗次郎 的歌曲

歌曲赏析

《El Condor Pasa》(山鹰之歌)是秘鲁传统民谣,宗次郎用陶笛重新演绎后赋予其独特的东方禅意。以下为赏析:

1. 音色与乐器
宗次郎选用陶笛作为主奏乐器,其空灵质朴的音色完美呼应了原曲的安第斯山野气息。陶笛的中高频泛音如山谷回响,模拟了秘鲁排箫的悠远感,同时因陶土材质更添一份温润的东方韵味。

2. 旋律解构
主题乐句以五声音阶为基础,通过循环往复的螺旋式上升旋律(如A段1-5小节),暗合原曲对雄鹰翱翔的意象化表达。宗次郎在变奏段落(2分15秒处)加入装饰性颤音,模仿飞鸟振翅的律动感,使静态旋律产生空间叙事性。

3. 节奏哲学
打破原版规整的3/4拍结构,采用弹性速度(rubato)处理。主歌部分(0:45-1:30)每个乐句尾音故意延迟0.5秒,形成"呼吸感",暗喻人与自然对话的节奏。打击乐仅用梆子轻点强拍,保留南美基因的同时强化冥想氛围。

4. 东西方美学融合
通过"留白"手法重构南美民谣:
- 和声层仅用持续低音(drone)替代传统吉他伴奏
- 在高潮段落(3:02)突然休止两拍,制造悬崖式寂静
- 尾奏渐弱至泛音消失,完成从安第斯山脉到东方庭院的意境转换

5. 文化符号再造
宗次郎将原曲反抗殖民的悲怆底色转化为超越性的精神飞升。陶笛的呜咽音色既保留原曲的苍凉,又通过循环呼吸技法(4分12秒连续32秒长乐句)象征永恒轮回的生命力,使山鹰意象从地域象征升华为人类共通的自由图腾。

此版本成功实现了传统民谣的跨文化转译,用极简主义音响构建出"天地人"的三维听觉空间,堪称世界音乐与New Age美学的典范结合。

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