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歌曲:《What Child Is This》

What Child Is This - 圣诞诗歌 文本歌词

What Child Is This
What Child Is This
系列:圣诞诗歌
专辑:佳音-圣诞诗歌精选
What child is this, who laid to rest
On mary s lap is sleeping?
Whom angels greet with anthems sweet,
While shepherds watch are keeping?
This, this is christ the king,
Whom shepherds worship and angels sing:
Haste, haste to bring him laud,
The babe, the son of mary.
Why lies he in such mean estate
Where ox and cattle are feeding
Good christian fear for sinners here
The silent world is pleading
So bring him incense gold and myrrh
Come peasant king to own him
The king of kings salvation brings
Let loving hearts enthrone him
制作by冷寒昕
悦笙音乐网

What Child Is This - 圣诞诗歌 LRC歌词

[ti:What Child Is This]
[ar:圣诞诗歌]
[al:佳音-圣诞诗歌精选]
[00:00.18]What Child Is This
[00:06.14]系列:圣诞诗歌
[00:11.83]专辑:佳音-圣诞诗歌精选
[00:17.80]
[00:24.16]What child is this, who laid to rest
[00:31.87]On mary s lap is sleeping?
[00:39.13]Whom angels greet with anthems sweet,
[00:46.76]While shepherds watch are keeping?
[04:13.93][02:09.97][00:54.83]This, this is christ the king,
[04:20.78][02:16.69][01:01.90]Whom shepherds worship and angels sing:
[04:28.62][02:24.70][01:09.68]Haste, haste to bring him laud,
[04:36.23][02:31.98][01:16.81]The babe, the son of mary.
[01:24.70]
[01:39.56]Why lies he in such mean estate
[01:46.91]Where ox and cattle are feeding
[01:54.24]Good christian fear for sinners here
[02:01.62]The silent world is pleading
[02:40.69]
[03:43.26]So bring him incense gold and myrrh
[03:50.83]Come peasant king to own him
[03:57.92]The king of kings salvation brings
[04:06.07]Let loving hearts enthrone him
[04:44.78]
[04:47.00]制作by冷寒昕
[04:52.41]悦笙音乐网

圣诞诗歌 的歌曲

专辑 佳音-圣诞诗歌精选 的歌曲

歌曲赏析

《What Child Is This》是一首经典的圣诞颂歌,其旋律源自英国传统民谣《Greensleeves》,歌词则由威廉·查特顿·迪克斯(William Chatterton Dix)于1865年创作。歌曲以悠扬婉转的旋律和充满诗意的歌词,描绘了耶稣诞生的神圣场景,传递出虔诚的宗教情感与节日的温暖氛围。

音乐分析
歌曲采用小调式,赋予旋律深沉而略带忧伤的色彩,与《Greensleeves》的典雅气质完美融合。三段体结构通过重复的乐句强化主题,竖琴、管风琴或弦乐的编曲常见于演绎版本,进一步烘托出庄重而宁静的圣诞夜氛围。

歌词赏析
第一段以提问开篇——“这婴孩是谁?”引导听众聚焦马槽中的基督,随后通过“天使歌颂”“牧人跪拜”等意象,展现神子降生的奇迹。第二段转向信徒的敬拜,珠宝、乳香等礼物象征对神性的尊崇,而“马利亚轻抚安眠”的细节则赋予神圣叙事人性的温情。末段升华主题,呼吁世人以“爱”回应这一救赎的恩典。

文化意义
作为维多利亚时期宗教诗歌的典范,歌词将神学思考与民间旋律结合,体现了圣诞音乐“神圣性”与“世俗性”的平衡。其跨越时代的传唱,既保留了基督教核心叙事,也通过音乐性成为不同文化背景听众共享的节日记忆。歌曲对“基督普世救赎”的强调,尤其反映了19世纪英国福音派的精神诉求。

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