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歌曲:《London Calling - The Clash》

London Calling - The Clash - 伦敦奥运会歌曲 文本歌词

London Calling - The Clash
London Calling
The Clash
London calling to the faraway towns
Now war is declared, and battle come down
London calling to the underworld
Come out of the cupboard, you boys and girls
London calling, now don t look to us
Phoney Beatlemania has bitten the dust
London calling, see we ain t got no swing
Cept for the ring of that truncheon thing
The ice age is coming, the sun s zooming in
Meltdown expected, the wheat is growing thin
Engines stop running, but I have no fear
Cause London is drowning, and I live by the river
London calling to the imitation zone
Forget it, brother, you can go it alone
London calling to the zombies of death
Quit holding out, and draw another breath
London calling, and I don t wanna shout
But when we were talking, I saw you nodding out
London calling, see we ain t got no high
Except for that one with the yellowy eyes
The ice age is coming, the sun s zooming in
Engines stop running, the wheat is growing thin
A nuclear era, but I have no fear
Cause London is drowning, and I live by the river
The ice age is coming, the sun s zooming in
Engines stop running, the wheat is growing thin
A nuclear era, but I have no fear
Cause London is drowning, and I live by the river
Now get this
London calling, yes, I was there, too
An you know what they said? Well, some of it was true!
London calling at the top of the dial
After all this, won t you give me a smile?
London calling

London Calling - The Clash - 伦敦奥运会歌曲 LRC歌词

[00:02.45]London Calling
[00:03.86]The Clash
[00:05.18]
[00:21.66]London calling to the faraway towns
[00:25.25]Now war is declared, and battle come down
[00:28.76]London calling to the underworld
[00:32.41]Come out of the cupboard, you boys and girls
[00:36.02]London calling, now don t look to us
[00:39.87]Phoney Beatlemania has bitten the dust
[00:43.45]London calling, see we ain t got no swing
[00:47.14] Cept for the ring of that truncheon thing
[00:50.67]The ice age is coming, the sun s zooming in
[00:54.29]Meltdown expected, the wheat is growing thin
[00:57.98]Engines stop running, but I have no fear
[01:01.54] Cause London is drowning, and I live by the river
[01:08.28]London calling to the imitation zone
[01:13.01]Forget it, brother, you can go it alone
[01:14.35]London calling to the zombies of death
[01:17.84]Quit holding out, and draw another breath
[01:21.62]London calling, and I don t wanna shout
[01:24.97]But when we were talking, I saw you nodding out
[01:28.77]London calling, see we ain t got no high
[01:32.86]Except for that one with the yellowy eyes
[01:35.97]The ice age is coming, the sun s zooming in
[01:39.56]Engines stop running, the wheat is growing thin
[01:43.31]A nuclear era, but I have no fear
[01:46.64] Cause London is drowning, and I live by the river
[02:21.20]The ice age is coming, the sun s zooming in
[02:24.35]Engines stop running, the wheat is growing thin
[02:28.01]A nuclear era, but I have no fear
[02:31.67] Cause London is drowning, and I live by the river
[02:48.97]Now get this
[02:52.01]London calling, yes, I was there, too
[02:55.21]An you know what they said? Well, some of it was true!
[02:58.79]London calling at the top of the dial
[03:02.48]After all this, won t you give me a smile?
[03:06.29]London calling
[03:07.37]

伦敦奥运会歌曲 的歌曲

专辑 伦敦奥运开幕式合辑 的歌曲

歌曲赏析

《London Calling》是英国朋克乐队The Clash于1979年发行的同名专辑中的标志性作品,后成为2012年伦敦奥运会闭幕式的表演曲目。这首歌以尖锐的社会批判和末世预警为核心,融合了朋克的原始能量与雷鬼、摇滚的节奏张力,成为超越时代的文化符号。

音乐结构的颠覆性
歌曲以模拟BBC战时广播的无线电干扰音效开场,配合西蒙农(Joe Strummer)撕裂般的警告式唱腔,营造出冷战末期的紧张氛围。贝斯线采用雷鬼音乐的跳跃式律动,与朋克传统的三和弦轰炸形成对冲,鼓组则通过军鼓连击模拟核爆的冲击波效果。这种跨流派的音乐实验打破了朋克音乐的固有框架。

歌词的预言性书写
"冰河正在消退/核能时代无处可逃"等词句直指环境危机与核威胁,而"伦敦在呼唤着死寂地带"则暗喻城市衰败。第二段对"毒品泛滥"和"精神饥荒"的控诉,展现出乐队对撒切尔时代英国社会病的敏锐洞察。副歌反复强调的"这不是演习",将歌曲升华为冷战阴云下的集体焦虑宣言。

文化符号的嬗变
从1979年作为朋克运动的战斗号角,到2012年奥运会变身英国文化名片,这首歌的语义场发生了有趣转换。奥运版本保留了原曲的紧迫感,但通过铜管乐队的加入削弱了反叛性,使其成为展示伦敦多元音乐传统的载体。这种再语境化过程,恰恰印证了歌曲本身具有的开放解读空间。

艺术价值的永恒性
歌曲的伟大在于用3分20秒浓缩了世纪末的集体恐慌,其音乐拼贴手法预言了后现代文化的混杂特征。失真吉他与雷鬼节奏的碰撞,如同泰晤士河畔不同文化的对冲,最终在"Phony Beatlemania has bitten the dust"的宣言中,完成了对保守英国文化的致命一击。这种兼具破坏力与建构性的双重特质,使其成为流行音乐史上罕见的批判性文本。

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