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歌曲:《Masquerade》

Masquerade - 瀬川英史 文本歌词

Masquerade
Masquerade (假面舞会) - 瀬川英史 (せがわ えいし)/Emi Meyer (エミ・マイヤー)
Look at me
Eyes can speak
Behind the masquerade I see
He's been happy
Dreams are happy
That in your great escape
With the night that I share
On the holy night glare your face
Late night shifts
Pick up this
Can't go home and
Do you finish the lists
Don't you found that
The roses express at night
Mixture just before those old
You'll see what goes around
Comes back around you'll see
Spinning and spinning in your bowl again
Sequence with flowers
The jewels on the crown
Millions of men
Ask for your hand
You're the beloved above

Masquerade - 瀬川英史 LRC歌词

[ti:Masquerade]
[ar:瀬川英史\/Emi Meyer (エミ・マイヤー)]
[al:映画 「ビリギャル」 オリジナル・サウンドトラック (电影《垫底辣妹》原声带)]
[by:]
[offset:0]
[00:00.00]Masquerade (假面舞会) - 瀬川英史 (せがわ えいし)\/Emi Meyer (エミ・マイヤー)
[00:15.90]Look at me
[00:17.35]
[00:19.47]Eyes can speak
[00:21.05]
[00:22.48]Behind the masquerade I see
[00:28.22]
[00:30.23]He's been happy
[00:32.40]
[00:33.83]Dreams are happy
[00:35.99]
[00:36.92]That in your great escape
[00:41.16]
[00:42.84]With the night that I share
[00:45.57]On the holy night glare your face
[00:52.05]
[01:13.44]Late night shifts
[01:15.58]
[01:17.14]Pick up this
[01:18.85]
[01:20.01]Can't go home and
[01:22.52]Do you finish the lists
[01:25.78]
[01:27.62]Don't you found that
[01:31.29]The roses express at night
[01:34.55]Mixture just before those old
[01:38.98]
[01:40.47]You'll see what goes around
[01:43.89]
[01:45.21]Comes back around you'll see
[01:49.32]
[01:52.33]Spinning and spinning in your bowl again
[01:58.35]
[01:59.56]Sequence with flowers
[02:02.83]The jewels on the crown
[02:05.57]
[02:06.66]Millions of men
[02:09.15]
[02:10.55]Ask for your hand
[02:12.97]
[02:14.08]You're the beloved above

瀬川英史 的歌曲

专辑 映画 「ビリギャル」 オリジナル・サウンドトラック (电影垫 的歌曲

歌曲赏析

《Masquerade-瀬川英史》是一首充满戏剧张力和情感层次的歌曲,通过音乐与歌词的巧妙结合,构建了一个关于伪装与真实自我的寓言世界。

音乐结构分析
歌曲以富有张力的旋律线条展开,钢琴与弦乐的编曲营造出古典与现代交织的氛围。主歌部分采用压抑的节奏型,配合半音阶下行的和声进行,暗示主人公内心的矛盾;副歌则通过突然转调与强力和弦的爆发,形成面具撕裂般的戏剧转折。桥段加入的电子音效扭曲处理,象征身份认知的混乱,最终回归钢琴独奏的收尾,留下悬而未决的余韵。

歌词隐喻系统
"假面舞会"作为核心意象,被解构为三重象征:社会规训的枷锁("铅之假面")、自我保护的工具("琉璃假面"),以及情感隔离的屏障("玫瑰假面")。歌词中反复出现的"剥落/再生"动态,形成西西弗斯式的循环叙事,而"月光穿透礼服褶皱"等超现实主义意象,暗示真实自我在规训缝隙中的短暂闪现。

演唱技法解读
瀬川英史采用"三声腔"演绎:主歌部分压抑的胸腔共鸣、副歌撕裂感的嘶吼式唱腔,以及间奏段落的气声呓语,构成声音的"假面三重奏"。特别在"誰も知らない夜明けで"的高音处理中,故意保留换声区的摩擦音,制造出面具龟裂的听觉质感。

文化语境映射
歌曲暗合日本"世間体"文化传统,将歌舞伎"隈取"美学现代化呈现。电子音效模拟能剧笛声的变形,钢琴间奏隐藏《六段の調》旋律碎片,在解构传统的同时完成对现代性孤独的诘问。

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