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歌曲:《산(祘)》

산(祘) - 李祘 文本歌词

산(祘)
歌手:李祘
Yeah Yeah Yeahs - Miles Away
鹰飞雁武 编辑
QQ706994900
As the cars go by under the sun like an enemy
You Wonder
As a spider comes and looks at you like an enemy
You Wonder
Yeah Miles, miles away
She's hurting people in a better world
Miles, miles away
Dressed again in the hot water
You're more beautiful than ever
Looking in the car's rear view mirror
Floor is hard uncomforted
By the second time she wondered she hungered she hungers
like a killers wife
As the cars go by
Yeah as the cars go by
Miles, miles away
She's hurting people in a better world
Miles, miles away
Dressed again in the hot water
Well you're more beautiful than ever
Looking in the car's rear view mirror
You're more beautiful than ever
Miles, Miles away
下歌词

산(祘) - 李祘 LRC歌词

[ti:Miles Away]
[ar:Yeah Yeah Yeahs]
[al:unknown]
[by:鹰飞雁武]
[00:01.50]Yeah Yeah Yeahs - Miles Away
[00:03.60]鹰飞雁武 编辑
[00:06.29]QQ706994900
[00:08.78]As the cars go by under the sun like an enemy
[00:12.47][00:13.93][00:15.13]You Wonder
[00:22.22]As a spider comes and looks at you like an enemy
[00:26.01][00:27.10][00:28.31]You Wonder
[00:30.80]Yeah Miles, miles away
[00:33.11]She's hurting people in a better world
[00:35.89]Miles, miles away
[00:38.38]Dressed again in the hot water
[00:43.06]You're more beautiful than ever
[00:48.25]Looking in the car's rear view mirror
[01:00.22]Floor is hard uncomforted
[01:02.52]By the second time she wondered she hungered she hungers
[01:07.41]like a killers wife
[01:11.20]As the cars go by
[01:13.59]Yeah as the cars go by
[01:21.28]Miles, miles away
[01:23.18]She's hurting people in a better world
[01:25.77]Miles, miles away
[01:28.16]Dressed again in the hot water
[01:32.85]Well you're more beautiful than ever
[01:38.05]Looking in the car's rear view mirror
[01:42.73]You're more beautiful than ever
[01:47.93]Miles, Miles away
[00:00.05]下歌词

李祘 的歌曲

歌曲赏析

《祘(李祘)》是一首以朝鲜王朝第22代君主正祖(李祘)为创作背景的歌曲,通过音乐叙事展现其传奇人生与历史重量。以下为赏析要点:

1. 历史意象的现代转译
歌词以"祘"(산,算/计划)为双关,既指代君主名讳,又暗喻其一生如精密演算的治国轨迹。编曲中传统乐器(如伽倻琴)与电子音色的碰撞,象征李祘时代"复古革新"的执政理念,在当代音乐语境中完成历史符号的重构。

2. 权力与孤独的声景刻画
副歌部分骤变的节奏型(如切分音的大量使用)模拟朝堂斗争的波谲云诡,而突然插入的空拍留白则暗示君主的内心孤岛。人声处理上采用多层和声叠加,既表现帝王威仪,又通过偶尔暴露的呼吸声细节揭示人性脆弱。

3. 宿命论的音乐具象化
贯穿全曲的三连音动机取材于朝鲜宫廷雅乐《保太平》,但通过降调变形处理,赋予其命运无常的隐喻色彩。桥段部分突然出现的童声合唱,象征历史对明君理想的永恒追问,与主唱充满张力的嘶吼形成时空对话。

4. 歌词的隐喻系统
"铁器在绸缎中生锈"等意象暗指李祘改革遭遇的贵族阻力,"逆流而上的鱼"对应其强化王权的政治动作。拟古措辞与现代白话的杂糅,呼应了正祖时代《承政院日记》的文献特质,形成跨时空的文本互涉。

该作品超越了普通影视原声的功能性,通过解构历史人物的复杂性,完成了一场关于权力、理想与历史评价的声学思辨。音乐元素的矛盾统一恰如李祘本人"开明专制者"的双重面相,在旋律起伏间留下耐人寻味的评述空间。

上一首:どうして君を好きになってしまったんだろう?-Dong Bang Shin Ki东方神起下一首:风云义(MV Version) - 郭富城\郑伊健-新歌速递1
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