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歌曲:《무무(武舞)》

무무(武舞) - 李祘 文本歌词

무무(武舞)
歌手:李祘
Yeah Yeah Yeahs - Miles Away
鹰飞雁武 编辑
QQ706994900
As the cars go by under the sun like an enemy
You Wonder
As a spider comes and looks at you like an enemy
You Wonder
Yeah Miles, miles away
She's hurting people in a better world
Miles, miles away
Dressed again in the hot water
You're more beautiful than ever
Looking in the car's rear view mirror
Floor is hard uncomforted
By the second time she wondered she hungered she hungers
like a killers wife
As the cars go by
Yeah as the cars go by
Miles, miles away
She's hurting people in a better world
Miles, miles away
Dressed again in the hot water
Well you're more beautiful than ever
Looking in the car's rear view mirror
You're more beautiful than ever
Miles, Miles away
下歌词

무무(武舞) - 李祘 LRC歌词

[ti:Miles Away]
[ar:Yeah Yeah Yeahs]
[al:unknown]
[by:鹰飞雁武]
[00:01.50]Yeah Yeah Yeahs - Miles Away
[00:03.60]鹰飞雁武 编辑
[00:06.29]QQ706994900
[00:08.78]As the cars go by under the sun like an enemy
[00:12.47][00:13.93][00:15.13]You Wonder
[00:22.22]As a spider comes and looks at you like an enemy
[00:26.01][00:27.10][00:28.31]You Wonder
[00:30.80]Yeah Miles, miles away
[00:33.11]She's hurting people in a better world
[00:35.89]Miles, miles away
[00:38.38]Dressed again in the hot water
[00:43.06]You're more beautiful than ever
[00:48.25]Looking in the car's rear view mirror
[01:00.22]Floor is hard uncomforted
[01:02.52]By the second time she wondered she hungered she hungers
[01:07.41]like a killers wife
[01:11.20]As the cars go by
[01:13.59]Yeah as the cars go by
[01:21.28]Miles, miles away
[01:23.18]She's hurting people in a better world
[01:25.77]Miles, miles away
[01:28.16]Dressed again in the hot water
[01:32.85]Well you're more beautiful than ever
[01:38.05]Looking in the car's rear view mirror
[01:42.73]You're more beautiful than ever
[01:47.93]Miles, Miles away
[00:00.05]下歌词

李祘 的歌曲

歌曲赏析

《武舞》是韩国历史剧《李祘》中的一首配乐作品,通过恢弘的器乐编排与强烈的节奏张力,展现了朝鲜王朝第22代君主正祖李祘的执政气魄与历史厚重感。

音乐以传统韩国宫廷雅乐为基底,融合现代交响乐编曲手法。开篇的钟磬音色营造出庄严的宗庙氛围,随后出现的玄琴独奏象征君主的孤独决断,而逐渐加入的大鼓节奏则暗喻王朝变革中的权力博弈。中段出现的奚琴与伽倻琴对话式旋律,巧妙呼应了剧中李祘与臣僚的政事交锋。

全曲通过三段落式结构完成叙事:从祭祀仪典的肃穆,到改革推行的激昂,最终归于历史评说的余韵。定音鼓持续的低频震动犹如王朝根基,而突然爆发的管乐齐奏则暗示英祖时代遗留的政治危机。作曲家刻意保留传统乐器原声质感,避免过度电子化处理,使音乐始终保持着「训民正音」式的文化本真性。

这种音乐叙事手法不仅强化了剧集的历史真实感,其节奏型态中隐藏的「长短」(韩国传统节奏)变形运用,更暗合了李祘改革「旧制新用」的执政理念。尾声处渐弱的杖鼓声,恰似《承政院日记》中墨迹未干的朱批,在乐音中完成了虚实相生的历史重构。

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