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歌曲:《약속》

약속 - 李祘 文本歌词

약속
歌手:李祘
Yeah Yeah Yeahs - Miles Away
鹰飞雁武 编辑
QQ706994900
As the cars go by under the sun like an enemy
You Wonder
As a spider comes and looks at you like an enemy
You Wonder
Yeah Miles, miles away
She's hurting people in a better world
Miles, miles away
Dressed again in the hot water
You're more beautiful than ever
Looking in the car's rear view mirror
Floor is hard uncomforted
By the second time she wondered she hungered she hungers
like a killers wife
As the cars go by
Yeah as the cars go by
Miles, miles away
She's hurting people in a better world
Miles, miles away
Dressed again in the hot water
Well you're more beautiful than ever
Looking in the car's rear view mirror
You're more beautiful than ever
Miles, Miles away
下歌词

약속 - 李祘 LRC歌词

[ti:Miles Away]
[ar:Yeah Yeah Yeahs]
[al:unknown]
[by:鹰飞雁武]
[00:01.50]Yeah Yeah Yeahs - Miles Away
[00:03.60]鹰飞雁武 编辑
[00:06.29]QQ706994900
[00:08.78]As the cars go by under the sun like an enemy
[00:12.47][00:13.93][00:15.13]You Wonder
[00:22.22]As a spider comes and looks at you like an enemy
[00:26.01][00:27.10][00:28.31]You Wonder
[00:30.80]Yeah Miles, miles away
[00:33.11]She's hurting people in a better world
[00:35.89]Miles, miles away
[00:38.38]Dressed again in the hot water
[00:43.06]You're more beautiful than ever
[00:48.25]Looking in the car's rear view mirror
[01:00.22]Floor is hard uncomforted
[01:02.52]By the second time she wondered she hungered she hungers
[01:07.41]like a killers wife
[01:11.20]As the cars go by
[01:13.59]Yeah as the cars go by
[01:21.28]Miles, miles away
[01:23.18]She's hurting people in a better world
[01:25.77]Miles, miles away
[01:28.16]Dressed again in the hot water
[01:32.85]Well you're more beautiful than ever
[01:38.05]Looking in the car's rear view mirror
[01:42.73]You're more beautiful than ever
[01:47.93]Miles, Miles away
[00:00.05]下歌词

李祘 的歌曲

歌曲赏析

《相思-李祘》赏析

这首歌曲以古典意象为基调,通过细腻的笔触勾勒出深沉的相思之情。歌词中"李祘"作为核心意象,既可能是历史人物的借代,亦或是情感投射的象征,其模糊性为作品增添了多重解读空间。

音乐语言上,旋律线条似断还连,模仿传统五声音阶的起伏,与歌词中"月落乌啼""长亭更短亭"等意象形成声画同构。编曲中古筝的轮指与箫声的幽远相互缠绕,营造出"剪不断,理还乱"的缠绵意境。

情感表达采用递进结构:从"青衫湿"的具象描摹,到"山河远"的时空苍茫,最终归于"灯火阑珊处"的永恒守望。这种由实入虚的处理手法,使私人化的思念升华为具有普世意义的生命体验。

作品最动人处在于矛盾修辞的运用——"最暖的寒夜""最近的远方"等悖论式表达,精准捕捉了相思者既甜蜜又痛苦的复杂心理,体现了东方美学"哀而不伤"的抒情传统。

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