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歌曲:《tattered and torn》

tattered and torn - Slipknot[活结] 文本歌词

tattered and torn
Amon Amarth - Tattered Banners and Bloody Flags
悦笙音乐网 卜超 制作
There comes Lopt, the treacherous
Lusting for revenge
He leads the legions of the dead
Towards the Aesir's realm
They march in full battle dress
With faces grim and pale
Tattered banners and bloody flags
Rusty spears and blades
Cries ring out, loud and harsh
From cracked and broken horns
Long forgotten battle cries
In strange and foreign tongues
Spear and sword clash rhythmically
Against the broken shields they beat
They bring their hate and anarchy
Onto Vigrid's battlefield
There comes Lopt, the treacherous
He stands against the gods
His army grim and ravenous
Lusting for their blood
Nowhere is longer safe
The earth moves under our feet
The great world tree Yggorasil
Trembles to it's roots
Sons of muspel gird the field
Behind them Midgaard burns
Hrym's horde march from Nifelheim
And the Fenris wolf returns
Heimdal grips the Giallarhorn
He sounds that dreaded note
Oden rides to quest the Norns
But their web is torn
The Aesir rides out to war
With armor shining bright
Followed by the Einherjer
See valkyries ride
Nowhere is longer safe
The earth moves under our feet
The great world tree Yggorasil
Trembles to it's roots
Sons of muspel gird the field
Behind them Midgaard burns
Hrym's horde march from Nifelheim
And the Fenris wolf returns
LRC歌词网音乐网 http://悦笙音乐网提供

tattered and torn - Slipknot[活结] LRC歌词

[ti:Tattered Banners and Bloody Flags]
[ar:Amon Amarth]
[al:Twilight of the Thunder God]
[by:活在当下]
[00:01.12]Amon Amarth - Tattered Banners and Bloody Flags
[00:08.10]
[00:08.31]悦笙音乐网 卜超 制作
[00:26.66]
[00:37.93]There comes Lopt, the treacherous
[00:40.22]Lusting for revenge
[00:42.39]He leads the legions of the dead
[00:44.72]Towards the Aesir's realm
[00:47.01]
[00:47.18]They march in full battle dress
[00:49.39]With faces grim and pale
[00:51.92]Tattered banners and bloody flags
[00:54.18]Rusty spears and blades
[00:56.62]
[00:56.80]Cries ring out, loud and harsh
[01:01.03]From cracked and broken horns
[01:05.91]Long forgotten battle cries
[01:10.38]In strange and foreign tongues
[01:14.88]
[01:15.44]Spear and sword clash rhythmically
[01:19.75]Against the broken shields they beat
[01:24.42]They bring their hate and anarchy
[01:29.38]Onto Vigrid's battlefield
[01:34.78]
[01:43.48]There comes Lopt, the treacherous
[01:45.77]He stands against the gods
[01:48.02]His army grim and ravenous
[01:50.38]Lusting for their blood
[01:53.42]
[01:53.66]Nowhere is longer safe
[01:57.33]The earth moves under our feet
[02:02.08]The great world tree Yggorasil
[02:06.97]Trembles to it's roots
[02:12.22]
[02:12.41]Sons of muspel gird the field
[02:14.94]Behind them Midgaard burns
[02:18.50]Hrym's horde march from Nifelheim
[02:25.21]And the Fenris wolf returns
[02:31.17]
[02:58.47]Heimdal grips the Giallarhorn
[03:00.71]He sounds that dreaded note
[03:03.06]Oden rides to quest the Norns
[03:05.40]But their web is torn
[03:07.70]The Aesir rides out to war
[03:10.04]With armor shining bright
[03:12.42]Followed by the Einherjer
[03:14.68]See valkyries ride
[03:19.56]
[03:36.77]Nowhere is longer safe
[03:40.38]The earth moves under our feet
[03:45.16]The great world tree Yggorasil
[03:49.92]Trembles to it's roots
[03:54.56]
[03:54.77]Sons of muspel gird the field
[03:59.18]Behind them Midgaard burns
[04:04.05]Hrym's horde march from Nifelheim
[04:08.40]And the Fenris wolf returns
[04:20.96]
LRC歌词网音乐网 http://悦笙音乐网提供

Slipknot[活结] 的歌曲

歌曲赏析

《tattered and torn》是Slipknot(活结乐队)最具实验性和黑暗气质的作品之一,融合了工业金属、噪音摇滚与极端音乐元素,呈现出一种精神崩溃般的听觉体验。

音乐结构分析
歌曲以扭曲的电子音效开场,模拟机械故障般的脉冲声,配合Corey Taylor被严重失真处理的嘶吼人声,营造出工业废墟般的压抑感。鼓手Joey Jordison采用非对称节拍,军鼓与底鼓的错位编排强化了听觉上的撕裂感。吉他部分摒弃传统riff,转而使用高频反馈噪音与降调闷音,如同金属被暴力扭曲的声学具象化。

歌词意象解析
文本通过"破碎的镜子/缝补的伤口"等意象堆砌,构建出自毁倾向的隐喻系统。"缝合线断裂"的重复段落暗示人格解体的临界状态,与Slipknot标志性的面具形象形成互文——表面保护层下的真实自我正在崩解。副歌部分的喉音颤吟技法,将痛苦情绪转化为声带物理性的震颤。

声音设计深意
制作人Ross Robinson刻意保留录音过程中的设备啸叫与环境杂音,使作品充满未完成的粗粝感。背景中若隐若现的婴儿哭声采样,强化了精神创伤的潜意识投射。这种反商业化的处理方式,实质是对90年代末过度抛光的主流金属美学的暴力反叛。

该作品堪称Slipknot音乐美学的浓缩宣言,用声波暴力解构了传统金属乐的框架,其价值不在于旋律性而在于开创性地将工业噪音转化为心理剧的听觉载体,为后续金属核与后工业风格开辟了新的可能性。

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